Painted with clean outlines and even, controlled fill, this piece has the smooth, deliberate finish of hand rendered decorative work. The palette stays tight, with cobalt and indigo patterning, pale lavender at the central roundel, white ground, and peacock greens punctuated by small yellow dots. The placement is rigidly symmetrical across the full width, with a large arched central panel held between two narrower side panels packed with repeated leaf or feather shapes. At the center of The Royal Mayura Triptych, two peacocks curve inward around a circular medallion, their necks mirrored and their tails dropping in soft arcs that break the grid of the surrounding geometry. And the technique leans on repetition, border bands, fine contour lines, and flat areas of color, which keeps the surface crisp even where the image grows dense with small motifs and nested pattern. This would feel too formal and visually insistent for a small kids_room or a quiet bedroom with soft, plain decor.